Radko Hromátka is a graphic and type designer from Prague, Czech Republic. Radko has worked as a graphic designer for various agencies, producing artwork, brands, corporate publicities and print layouts. He has been participating on the book design for the poetry collection by creating book structure and illustrations. He established his own creative studio, Tygra Publishing, in 2006. In 2010 Radko created the art deco sans caps family Galanda Moderna and in 2012 the polygonal typeface Vaba. The fonts are distributed on Myfonts and Hypefortype. Galanda Moderna typeface will be published in the book of Czech digitized fonts 1990 - 2010 prepared under the Auspices of the Academy of arts architecture and design, Prague.
Ray Cruz has received over 30 graphic and type design awards for his work. He is a member of the Type Directors Club, the Society of Typographic Aficionados (SoTA) and the Association Typographique Internationale (ATypI).
Founder Steve Jackaman has assembled an impressive selection of releases through his International Type Foundry and Red Rooster Type Collection.
What should you expect from Remote Incs StayPretty collection? Captivating curves and seductive serifs, says founder Mark Herd.
Japanese fonts from Ricoh
Robert Howell has been creating typefaces and designing broadcast graphics since 1993. Experience pays off in this innovative collection.
RMU Typedesign is the vendor's label of Ralph Michael Unger who was born in Rudolstadt, formerly in East Germany, in 1953.
After his years in school, he completed an apprenticeship as a compositor in a small Thuringian printing shop in which he still came in touch with lead letters, composing sticks, and galleys. A true, baptized disciple of Gutenberg, he worked many years as an advertising setter on Linotype machines, photosetting stations, and finally with the Mac in various print shops.
In 1995, he established his own studio in Aalen, in the state of Ba-den-Wuerttemberg. What started as a hobby, the digitization of fonts, has become his major field of occupation. He opened his own label RMU Typedesign in 2009, and now lives and works in Schwaebisch Gmuend.
Robert Arnow first became interested in art as a graffiti-writer in Brooklyn, and then went on to study illustration at Parsons. After graduation, he worked on a wide variety of projects for high-profile clients including Apple, Microsoft, the Washington Post Magazine, Blue Note Records, the Boston Globe and many others. His work has been featured in the Society of Illustrators National Exhibition, Step-by-Step Graphics, and photographs of his work have appeared in the SF Chronicle and other newspapers. He is currently the creative director and owner of Incitement Design, a socially conscious design firm.
Roland Hüse Design is an independent freelance type foundry¶¶Roland Hüse has taken specialized Art Classes in High School and later tried his hands at tattooing, but only found his true calling in graphic design a few years ago. ¶¶Currently into type design (since 2012) and Branding work.
Roy Cole typography was formed in 2003 by the British typographer Roy Cole (1932-2012). Roy was the only British compositor to study at the Allgemeine Gewerbeschule in Basle, Switzerland, under the tutelage of Emil Ruder, the master of modern typography. At this time, in the 1950s-1960s, the Gewerbeschule was host to a particularly formidable team of tutors - Robert Büchler, Kurt Hauert, Armin Hofmann, and Ruder himself - and created a typographic style that attained world recognition. Roy pursued his practise in Switzerland and the UK working, in the main, for a range of prestigious publishers, museums, and public libraries. The objective of Roy Cole typography in 2003 was to further develop the san serif style of typefaces and Roy designed Lina (2003), Zeta (2006), Colophon (2009), and Coleface (2012).
René Bieder is a Berlin based Designer and Art Director. Before becoming a self-taught type designer, he was working in various advertising agencies. Since 2012 he is developing type families ranging from display to text usage. Two of his type families became Myfonts' most successful releases of the year in 2012 and 2013.